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Showing posts with label Marx. Show all posts
Showing posts with label Marx. Show all posts

Monday, April 28, 2014

Nancy's Hegel: Touching the Negative

Wow, I wrote this last semester and already there is so much I would change. First of all, I don't think I've understood Nancy very well at all, but rather have interpreted him as just another take on dialectics, which he most decidedly is not. So I apologize, but I think the paper is still worth uploading, even if only for personal reasons.
Nancy's Hegel: Touching the Negative
Negativity is that which moves of itself, annihilating every given through its irresistible logic, and at the same time the dissolution thereof. Nowhere is the brute fact safe from the power of non-identity, the power of the “think again!” and of the “be again!”. There is nothing in Heaven or on Earth that is not utterly mediated, hence negative. The following essay is based on the two thinkers GWF Hegel and Jean-Luc Nancy. The latter's book Hegel: The Restlessness of the Negative contains a loose rereading of both Hegel's major works, The Phenomenology of Spirit and Science of Logic (among other works Nancy includes in the appendices). It is perhaps not too great a claim to make that Hegel's immense labor of the negative is the most influential take on negativity and mediation in the philosophical world. With Hegelian negativity as its starting point, Nancy's thought in Hegel proceeds to reconceptualize many of Hegel's most important claims, primarily about the totality, thought and Spirit, the master-slave dialectic, and the ever-present and all-important negativity.
Such negativity, such mediation, however, can be taken to signify myriad things, and the specific object or function of negativity and negation is not always clear. Indeed, the concept of the negative must be explored in relation to our shared horizon of meaning—negativity given or posited as merely in itself can have startling and confusing results for theory given the dominant logic of identification. This, however, is not a problem for Nancy, for whom the loss of the whole, called the “end of the world” in The Sense of the World, is felt acutely. This is not to say that the negative act or the negative originary pre-symbolic being-affected, such as the trembling of the slave in the presence of the true master that is death, is unimportant—far from it. Rather, the concept must give way before the act of its own accord, or else we have nothing.
It is only with this in mind that we can do philosophy as it relates to the negative and therefore as it relates to truly critical theory; both “critical” and “theory” have as their preconditions the transcendence of metaphysics and of uncritical philosophy effected on their very borders, at the limits of discourse. There can be, we must insist, no new foundational gestures, which would of course only result in yet another object of critique. While causing difficulties of presentation and writing, this seems to me to be the only truly effective strategy today; pretending oneself out of aporias will get us nowhere. As Theodor Adorno wrote, “Unity alone can transcend unity” (Negative Dialectics 158). In other words, transcendence of the concept can only truly be effected by and through the concept. We may abstract from Adorno's language and come to the conclusion that, convoluted as it may be, discourse alone can transcend discourse, and discourse is necessarily within the despotic realm of the symbolic. However, that discourse can hold a non-signifying function, it can make the motion of transcending the symbolic, and this precarious limit-space is exactly where Nancy will locate the majority of his thought. Whereas Adorno wrote above of the concept, we must here turn our attention to the given more generally. The transition must occur due to the nature of our undertaking, wherein we are dealing with negativity as ontological non-identity, not simply non-identity as what overflows the given symbolic system, as the particularity that cannot wholly be absorbed and this thus defined against that symbolic system. The given is, taken by itself, problematic in its inability to provide for the ground that is in each case the precondition of the given. Following Hegel in the opening sections of The Phenomenology of Spirit, we can say that given immediacy cannot be the whole picture. In other words—and this will become clear—the given cannot give that by which it is given; this latter thing is fundamentally ungiveable. Thus, Hegel's thought is “what happens to thought in itself and for itself as soon as sense are truth are not presented to it as given” (Nancy 30). This givenness is not given for both logical and historical reasons, the former as presented by Hegel and the latter as developed by Nancy, not that Nancy ignores the former of course.
The reason for this primary focus on subverting identification, which I believe to be very important, is twofold: identification and a denial of difference or particularity is the dominant logic of the capitalist system; and the search for a ground always runs the risk of finding that ground. With regard to the first, the abstract identification of diverse labors, the law of value, while ontologically requiring the diversity of those labors to begin with, is the objective state of affairs of the world as it stands today. This state of affairs is not only one that exists—rather, it is one that perpetuates itself as real illusion.
To think that identification, and to think beyond and through that identification into non-identity—to think an immanent critique in other words, while still recognizing, through our analysis, our own socially necessary complicity in evil—is the goal. Second, the search for a ground is not a meaningless or senseless one. Far from it, the search for ground is carried out not only by the human subject, but effectively by all reality. However, it will soon become apparent that the search for a ground, the striving for singularity, cannot truly be achieved. Instead, we are often left with the appearance of having succeeded, and it will be seen that this is the most dangerous thing of all, despite the actual impossibility of such a success, despite the always already plural, differentiated, and particular character of being and beings.
In the following section, I will provide a brief discussion of Hegel's master-slave dialectic, and then proceed to an explication of the radical theory of the self put forth by Nancy, which will be seen as basing itself on a problematization of the stable categories of self and other found in Hegel. In section III, the problem of thought and manifestation will be examined, especially specifically as it relates to what I will call the appearance of essence and appearance. In section four, the question of immanence and transcendence will be broached, and we will see that Nancy dodges the dichotomy in important ways, e.g. through his thought of infinity. Finally, in section V, I will examine the objective reality of identification and the possibilities for the critique thereof.
II. The Void That Is the Self
In this section, I will briefly discuss Hegel's master-slave dialectic, specifically its implications for a negative theory of the self. Then, I will turn to Jean-Luc Nancy's related theory of negative self-relation and self-differentiation, which I will argue is in fact the ontological precondition for both identity and difference. The negativity of this self-relation will finally be examined in depth.
The master-slave dialectic is perhaps the most important moment in the entire Phenomenology of Spirit, consisting in the all-important transition from animal consciousness to properly human self-consciousness. As such, it is the pivotal point in Hegel's project, since he must be able to describe the development of self-consciousness from its very first beginning in order to adequately theorize the historical dialectic of Geist's coming to perfect self-knowledge. The master-slave dialectic proceeds as follows:
Primitive human consciousness relates to the world negatively, in the sense that hunger is sated by “negating” some other, in that case food. Put more generally, consciousness negates a given other in its assimilation of that other; the brute fact is negatively related to consciousness, and henceforth the thing that was immediate to consciousness becomes mediated. However, in animal consciousness the negation is an instantaneous one—the thing negated is more or less immediately destroyed or absolutely negated. The important thing is that what is negated is not seen to be any more than the brute fact, the other. All this changes, however, when multiple consciousnesses interact. Two consciousness, each seeking to negate the other, meet in what can only for Hegel be a bloody battle. The two consciousnesses fight it out, the end result of which may be one of two things: one combatant may die, and in this case the dialectic does not progress; or the victorious combatant may allow the loser to live, in which case the winner becomes a master and the loser a slave.
It is this second case that is interesting, because in it there lies dormant an important development of self-consciousness. The master, who was perhaps after recognition (this teleological goal is in fact not necessary, but it is very important to Hegel), finds that he cannot get it from such a lowly slave, who is by that account more animal than human. Since the master does not recognize the slave's consciousness, the slave is in turn not in a position to recognize the master's. In reality, there must be a mutual recognition for self-consciousness to exist. All is not lost, however, and in fact the slave undergoes a major transformation: the slave is penetrated with the fear of death, the absolute negation of consciousness. The slave experiences in its innermost being the trembling that unsettles all sureness and all ground. However, the slave does not die but rather lives in fear of death, and thus lives with some idea of the truth of absolute negation, of the loss of self that death must bring: “This complete perturbation of [the slave's] entire substance, this absolute dissolution of all its stability into fluent continuity, is, however, the simple, ultimate nature of self-consciousness, absolute negativity, pure self-referent existence...” (Hegel 237).
Furthermore, the slave labors for the master, creating mediated products that the master consumes in an only immediate relation, e.g., the slave prepares the food which the master eats. The slave thus determinately negates things, whereas the master only absolutely negates them. The labor of the slave transforms the way it relates to objects: “The negative relation to the object passes into the form of the object, into something that is permanent and remains; because it is just for the labourer that the object has independence” (Hegel 238). In other words, the negations carried out by the slave in labor become mediations of the absolute negativity of death and the other: “But this objective negative element is precisely the alien, external reality, before which it trembled. Now, however, it destroys this extraneous alien negative, affirms and sets itself up as a negative in the element of permanence, and thereby becomes for itself a self-existent being” (Hegel 239). The slave assimilates the given other into itself in a new way, a way based not upon abstract negation but upon what I will call a standing negation, a more or less permanent relation to objects. Thus, the result of the master-slave dialectic is an understanding of the self as negativity, namely that which has lived the absolute negativity which shook it loose from an immediate relation to objects and which thus labors in a way that brings the given other into itself.
Taking leave of Hegel's text and turning to Alexandre Kojève's reading, we might say that the key element in the master-slave dialectic is desire, as that which can be escape the given: “Now, the only thing that goes beyond the given reality is Desire itself” (5). This going-beyond reality finds its fullest expression in self-consciousness, which can be thought of as the desire of desire. One desires not just a given thing, not just some object, whether a product of labor or not, but the desire of the other, e.g., one desires to be the object of another's love. This relation is of one negating-negativity to another, and decidedly not to a positive given. The mutual recognition here conceived is the logical and historical development of the master-slave dialectic, what both Kojève and Hegel believe to be the truly human aspect of consciousness. This is the standing negation not only between a slave and his works, but between two or more negating-negativities, each recognizing the negativity of the other as desire.
Nancy's subject, despite his origins in deconstruction, is not written in erasure, but rather occupies a central place in his philosophy. However, far from a stable ground, the self is restless: “'Self' cannot precede itself, because 'self' is precisely the form and movement of a relation to self, of a going to self and a coming to self” (Nancy 4). The self or subject for Nancy is negating-negativity, but this in a way quite different from that in Hegel's own theory. Nancy's subject is rather “what (or the one who) dissolves all substance” (5). This negating-negativity is thus not one that assimilates the given, or even whose desire is related to the desire of another, but one that destroys all givens without thereby making the given its own; rather, negation is carried out “in order to make [the given other] a nongiven-other” (Nancy 58). The moment of synthesis is thus de-emphasized, and indeed the unsettling mediation is carried out in both cases by the act of constituting self-hood, be it that of a traditional Kantian subject or that of Nancy's world-as-self, which I will return to in section III.
Instead of a prior act of identification which produces the non-identical as that which cannot be assimilated into the conceptual or otherwise symbolic scheme, there is in Nancy rather an act that is both self-differentiation and the striving to overcome that differentiation. In other words, there is not identity but similarity, a failed identity: “In order to be in truth, and to have or to make sense, self must be self as such: and it must be so in taking distance in order to posit itself as something like what it is” (Nancy 43). The act of self-positing is thus fundamentally an act of similarity, wherein self-differentiation is the precondition for that similarity. The result is a striving for being-what-one-is, where that identity of the self is fundamentally unattainable. Importantly, the goal of the self is not given, but rather posited and thus always already caught up in restlessness, always already mediated. This is the subject's negativity, it's always being ungiven. For Hegel, the subject experienced the void of negating-negativity, e.g., in the experience of death as the absolute master. For Nancy, there is no subject as a separate persisting entity that could experience its negating-negativity as a disembodied watcher. In other words, the subject is constituted in the action of negation for Nancy in a way that is not present for Hegel—this is the step beyond Hegel that Nancy takes in his destabilization of the concrete given, even as it is found in someone as radical and negative as Hegel.
This discussion of the subject leads us to the activity of the subject in its interaction with the world, in which activity it is constituted. The name for this transcendental precondition and fundamental activity is sense: “[Sense] is the appropriation of being by the subject, as subject” (Nancy 50). This means that sense is a passage, a movement, a relation. It is all these things, but it is also the horizon of being. The details of this concept must be left to section V, although suffice it to say that sense as plane of immanent contact will be a recurring theme throughout the remainder of this paper.
III. Thought & Manifestation
The negativity of the subject having been explored, we now turn to the difficult place of thought in such a scheme. It will be seen that thought is a particularly important form of negation, as it is in thought that the problem of manifestation, the dichotomy of essence and appearance, appears as necessity. To this end, I will first examine the status of the world as a self and thus as its own self-diremption. Then, I will elaborate the related problems of manifestation and thought, each inseparably bound to the other.
The world is not a subsisting, static reality, but rather is always a going-into-other: “...it is because the world undergoes itself as a world of separation that its experience takes the form of the self” (4). Echoes of Hegel's theory of the Absolute as subject are here perceivable, but we must remember that Nancy's self is not one that is human or would have its boundaries defined and hence exist all to itself as a stable ground. Rather, the world in its becoming is nothing but infinite self-relation, referring to nothing outside itself. The self-identity of the world is only constituted in its utter going-out-of-self, and indeed the absolute is “equal to self and, consequently, in absolute repose—but it is so only thus, quite exactly, as nonrepose” (Nancy 12); this is Hegel's bacchanalian revel, the condition of Spirit itself. This Spirit, which for Hegel was both the act of the world coming to ultimate self-consciousness and that self-consciousness as result, becomes for Nancy somewhat the opposite: “Spirit is not something separate... because it itself is nothing other than separation. It is separation as the opening of relation” (19). The originary (although beginningless) self-differentiation is what is important, not the closing of relation that could declare its own ending as the absolute ending of difference. Spirit is instead the totality of the world in its aspect of infinity: “[Spirit] names infinite relation itself, the step out of self into the other of all reality” (Nancy 19).
However, this other only exists within the world itself, as its other. The totality of all-related-to-all forms one giant closed system that is however opened by its own difference from itself. The objectivity of negation consists in this, that the world, not being grounded in something outside itself, is always already caught up in itself, in its own groundlessness. No longer being a thing separated from sense and thus able to have sense, the world has rather become sense, and this sense is nothing but its own self-differentiation.
The relation between essence and appearance can never again be thought as that between transcendent-unmanifest and immanent-manifested. Rather, manifestation constantly destroys its own ground: “The singularity of manifestation, or of the world: it is that singularity manifests itself to nothing other than itself, or to nothing. Manifestation surges up out of nothing, into nothing” (Nancy 33). Characteristic here is what I will term “iterative manifestation”, wherein there is an endless deferral of essence: each thing is forced into the act of being an essence, which of course is a burden that absolutely cannot be shouldered. However, this impossibility does not just stand as it is, but rather each essence, in a necessary act, appears. This appearance is thereafter forced to become the essence of a further thing, because it too must participate in the infinity of essences which constitutes restlessness.
In other words, there is a continual move from essence to appearance, a continual process of manifestation where each thing's becoming has no end goal that would absolve it of being an essence, that would solidify the essence-appearance relation. Teleological unfolding is thus a reality of manifestation that however does not have an end goal: “One cannot rest content with reducing Hegel to his well-known, too well known, sentences on the truth of the acorn in the oak. For the tree itself is still a passage, and it also has its truth in a fallen and crushed acorn that will never take root, simple disseminated concretion” (Nancy 15). Each moment of becoming is not wholly unrelated but the movement of an endless teleology, in which the goal is only the starting point for another such process, and so on ad infinitum. It is however not as clean and neat as all that, because as Nancy notes, each process is absolutely not just that single process: each striving for the goal at the same time puts out a great mass of different and irreducible strivings, a splintering of teleology as it were. In the winding self-inversions of the infinite dissemination of manifestation, no single aspect remains as it was, nothing remains unchanged.
We now turn to thought, an especially difficult aspect of Nancy's philosophy. For Nancy, thought is the act which unsettles substance: “If thought was not separated from things, it would not be thought, nor would there be restlessness. Thought, to the contrary, is the separation of things and the ordeal of this separation” (13). From this we glean two perhaps controversial claims: thought has what initially appears to be a different status from non-thought in its ability to separate and to be constituted in separation; and the separation effected by thought is a painful one. It must be kept in mind, however, that Nancy's world is a self and is in fact Spirit and therefore thought; the human subject has no monopoly on these terms, and indeed abstraction is carried out in every objective social identification as discussed in section V. With this clarification, I will deal with each of the preceding claims in turn.
Thought thinks the thing, and in doing so penetrates into the thing, into its ground. However, this ground is only the void: “The thing thought is the thing hollowed out...” (Nancy 22). There is no stable essence which would be found at the depth. Thought is the very presence of this absence, the being-there of the nothingness that exists at the innermost center of the thing. Thinking thus changes everything, it destroys any givenness of the other, positing instead the other-as-mediated. This alteration cannot be avoided, because even what appears to be the thought of pure identity must move between the things identified—it must think them, and therefore alter them irreparably. Thought is thus the action of negating-negativity carried out upon the objects of the world, constituted as such by the differentiation of that thought itself. On the other hand, it is not only the object of thought that is penetrated: “The one who penetrates is himself penetrated, for thought is the thought of being itself, and not 'mine'” (Nancy 17). Thought must think the concreteness of the object, and it cannot do this by remaining in its abstract self-equality, for “Thought will therefore be equality that takes leave of itself in order to enter into the inequality of the thing” (Nancy 21). Thought must not be the unpenetrated, for that would turn it into a bad positivity, the refusal of thought to be the thought of being, to be thought thinking itself. This positivity is bad because its refusal to acknowledge its own self-relation which alone is that by which it is constituted. Without this reflexive relation, the mutual penetration of thought and thing, thought has not come into its full expression, does not deserve to even be called “thought”. Thus, thought is the relation constitutive of the self, which was earlier discussed as Spirit, as the opening of relation (to self). In the last analysis, then, thought as mutual penetration is seen to be the activity constantly carried out by the world itself—the world does not believe in its own reason, and this in the name of reason itself, where reason is the movement whereby thought hollows out the thing.
We come here to the question of knowledge, to the struggle between presentation and representation. For Nancy, knowledge is decidedly presentation, “and consequently the negation of every and all given presence, be it that of an 'object' or 'subject'. Not given presence, but the gift of presence—such are the stakes” (11). It is interesting that presentation here is not taken in a positive sense, and that presentation in fact negates all presence. This point may be interpreted as affirming the nothingness which is at the heart of manifestation. All presence is negated just as all absence is negated, and what is left is the relation of presentation itself: “Neither purely present (and thus evanescent) presence, nor purely absent (and thus imposing) absence, but the absolute of presentation” (Nancy 23). Thought, in conforming with the thing in its very self-separation, “represents” nothing, and this in two ways: it is not a representation of an outside thing of which it would be the knowledge or truth; and insofar as it is a representation, it is the representation of the nothingness at the center of every manifestation.
Thus, in an important sense, the presentation-representation dichotomy is irreparably transformed by the act of penetration. There is striving for representation in all thought, but at the same time thought separates itself from what it would represent, in order to enter into a relation of representation with that thing. The transformation of the dichotomy is thus carried out in an optimistic gesture that at the same time, if one looks closely enough, betrays its own caustic sarcasm. This is the meaning of Nancy's second claim in his definition of thought given above, namely that thought is the ordeal of its own separation from things. This is, I believe, predicated on the claim of thought to be representation, which thereby, as stated above, is an impossibility as far as the success of that representation is concerned.
One last important point in Nancy's rereading of Hegel is that of trembling, already encountered in the context of Hegel's master-slave dialectic. There, we saw that the trembling of the slave in the face of abject negativity was indispensable for the formation of the subject, of self-consciousness. For Nancy, trembling takes on a more all-pervasive function: “Trembling is the act of being-affected—a passive acting that merely makes the body vibrate, that unsettles substance” (44). The action of negativity upon the concrete is a causing-to-tremble: “Negativity makes all determinateness tremble” (Nancy 45). The mutual penetration produced in thought is inseparable from mutual trembling. For Hegel, the unsettling of substance that is trembling was produced in abstract recognition; for Nancy, recognition becomes a touching, always already trembling: “I only recognize myself recognized by the other to the extent that this recognition of the other alters me: it is desire, it is what trembles in desire” (64). The desiring of the other's desire is not a disconnected happening but a touching, a sharing of sense that is thus a contact-between. Desiring is a relation wherein neither term remains unchanged, but rather both, in their recognition and therefore in their self-constitutions, become thereby self-differentiated as described above in the section on self.
IV. Immanence & Transcendence: The Infinite Sense of Self-Relation
The question of immanence and transcendence in Nancy's philosophy must now be broached. In this section, I will first explicate Nancy's transcendental immanence of sense. Then, I will briefly discuss its relation to transcendence and to immanence commonly understood. In that discussion, the question of negative immanence will be raised and answered.
In our interactions with the world, we are always being-toward that world. This means that objects, phenomena, signifiers, and so on, all already make sense in some way. Sense is the transcendental precondition by which individual fields or groupings of activities may take place. Sense can be conceived as the field of immanence, the self-relation of totality thus being the infinite relation of sense. This infinity is the same in principle as Hegel's true infinity—in other words, it is the infinitude of all finitude, and as such is achieved through self-relation rather than through indefinite extension. However, this infinitude is not, as it might seem, a positivity: “But the act of the infinite is anything but a given. It is, indeed, rather that by which the given is given” (Nancy 25). The transcendental condition of the given is seen here to be pure mediation, the pure non-givenness of the always open totality. Signification is in this case a hierarchical appearance that occurs only after the horizontal opening of sense, which is therefore a relation between. Things only appear (perhaps necessarily) as transcendent, and their very transcending is provided for by immanent relation. The way that Nancean concepts are developed in the rereading of Hegel is instructive as to this fact: what appear to be definitions of concepts in terms of other concepts, straightforward equivalences, are actually ways to get thought moving (Morin 5).
The connection to Hegel's method is clear, in that Hegel's Logic is nothing but a mass of speculative equivalences which are not for that reason static. The development of Hegel's categories proceeds by the working-out of implications whose differences only become apparent in their being made equivalent. For Nancy's immanence, this means that the sliding of the signifier, or of the concept, creates or opens sense rather than signification. The working-out of the concept could not be a true transcendence, but rather is a movement across a sort of transcendental space. Thought is thus an interesting case in relation to this trans-immanence, in that, as noted above, it is always a presentation (Darstellung). For Hegel, too, thought as form could not be truly separated from its content, the Concept (or Notion) being that category in which the moments of going-into-other became explicitly recognized. The experience of sense is thus always already movement of thought in this case, or of the self-differentiation which is the precondition of self.
In any case, the negativity of Nancy's immanence should by now be apparent. A given opacity nowhere comes into the picture, sense always being a movement-between, a point of contact which does not become a static term. All is motion, restless becoming, and as such is completely lacking in that pseudo-concretion produced by the incessant insistence of “being-there” or “dasein”. Infinity cannot be extracted from relation and from plurality, as if such a process could yield the concrete singularity which was singular in or as itself. On the contrary, there can be nothing in itself, because of the necessary plurality of “self” itself. Thus the infinite singularity of the point of contact, the passage that is sense, is at the same time the failure of that singularity to be truly singular—rather, it too is a plurality, try as it might to be otherwise. This is a prerequisite and a symptom of the bottomlessness of manifestation and of course of being itself.
V. Reflections on Identity
Finally, we can address the problem of identity within Nancy's theory of negative immanence and manifestation. Identification is carried out constantly in thought and in social practice, and this necessary but impossible process must be explored. In this section, I will first recapitulate the impossibility of identity and the nonetheless frequently-made move of identification. Then I will elaborate on the previously-mentioned theme of similarity as a way to understand the failure of identity. Finally, I will discuss the possibilities of an escape from identity and a Nancean ethics.
Identity is an impossibility because to be the same as oneself, one must be different, must undergo differentiation that opens the possibility of self-relation. It is, as noted, an act of positing, and hence finds its theoretical ancestry in Hegel's doctrine of the positedness of all things, which he equated with thought or Spirit. The striving for identity that would, In Hegel, culminate in Absolute Spirit, or at least the ordered totality of all relations in its thus constituted self-relation, cannot however be accepted by us today. Spirit, which was the dialectical agent of identification as process and at the same time the absolutely undialectical success of that very identification, has been rightly criticized elsewhere. Nancy would rather revive the critique of the teleological starting-point-and-result (they necessarily go together in Hegel) while keeping the process of identification intact: “Thus 'I=I' means nothing, or only this: passage and leap into the other of what was never in itself. This leap is unsettling twice over: in the agitation of its movement, where there is no continuity that would not also be the laceration of a burst of light, and in the nonknowing of the other that thus makes up all of self-knowing” (Nancy 39).
Identity is the movement of the always-already moved, and is thus a necessary movement. At the same time, it is only movement, and it is paradoxically movement between things which were never self-identical, eternally unable to become self-identical since relation is always already open. In other words, one cannot pass from infinite self-relation, which is reality, to anything less than that, to anything that would be merely finite or unself-related and hence self-identical (if such a thing even makes sense). Every thought, furthermore, is an identification, yet again this is nothing but a movement-between—when I say something “is” something else, thought passes between the two things dynamically. This movement, when considered only representationally, entails a violence towards the particularities of the things in question. However, for an ontologically presentational theory of thinking, the result is first of all movement-into-other, and only second does the appearance of representation take place. This second moment is that of successful identification, of identity itself, but we have already seen why this is impossible.
The social reality of identity is nothing but the proclamation that such identity has been reached and the social effects following from this proclamation. The example of socially necessary abstract labor time found in Marx is here instructive. Concrete, particular labors are abstracted by the capitalist mode of production to yield a homogeneous labor that can thereby be measured against all (or nearly all) other capitalist labor. The diverse concrete labors are of course not the same, but they are treated as if they were by economic processes, and therefore their identity becomes a sort of truth as far as objective social determination is concerned. The power of limiting and controlling labors is predicated on this ability to proclaim, and even to convince oneself and others, that socially necessary abstract labor is the real quantity underlying productive processes, the quantity that thereby controls the movement of capital. In this manner does the illusion become reality, does it become “real illusion” as Marx has called it. Of course, it is not only socially necessary abstract labor time that undergoes the process of social identification, becoming real illusion; sexual identity, race, gender, &c., i.e., any institutionalized and therefore socially objective abstraction-making process produces the appearance of identity. So it is important to understand that the impossibility of identity does not in objective fact deny its influence, only its ontological or metaphysical status, and this is why it is “illusion” that is nonetheless real in its effects and power to organize human relations.
What could be the possibility of an escape from identity? Ignoring overtly practical considerations, we may rather ask as to the possibility of a Nancean ethics. Indeed, Nancy's thinking of freedom and of the “we” provides just such a thing. Freedom for Nancy is not produced by pure determinacy (and there is nothing that is not determined) but is the act of infinite determination itself, of the non-given infinite (74). Freedom is not a decision between two givens, and indeed the self as a thing or as given cannot by that token be considered free. Furthermore, the subject cannot escape its involvement with the world, its being-toward as decisiveness: “I do not therefore decide in favor of things proposed as possible, because I exist as 'me' only in my decision” (Nancy 74). Freedom is non-given and, more importantly, ungiveable. Thus, the subject as such cannot be free, and indeed no concrete being can be free, because freedom is abstract negativity, the void at the heart of the subject. Freedom, in other words, is brought about in the very penetration of negativity into thought, and of thought into negativity: “The freedom of decision is the very thing that thought, in order to begin or end, has to penetrate” (Nancy 74). This is quite a curious phrase, as we know that Nancy does not take kindly to either beginnings or endings. However, this is simply saying, in the usual paradoxical but straightforward style, that
Nancy is very emphatic that the true subject of sense is not an “I” but a “we”: “A subject of sense, this means first off: a sense for each and every one, coming back to the one only insofar as it passes to the other. If 'I' surge up each time, as the identity of the universal and the singular... this takes place only insofar as 'I' is shared out equally between everyone” (37). To have or to be sense is to share sense; sense is always a sharing, and a sharing of being. It is a touching, a contact, and for this reason cannot be made into property. The “we” is the expression of this fundamental being-with that makes up the possibility of sense itself. Indeed, Nancy goes so far as to say, “The absolute is between us. It is there in itself and for itself, and, one might say, the self itself is between us” (78). The act of sharing sense is the constitutive thing here, and it's name is the “we”, or even the “absolute”, which, it is interesting to note, Nancy does not put in inverted commas. While Nancy does not, in Hegel, stray too far in this direction, it is nonetheless an interesting counterpart to Hegel's conclusions about the merging of subject and object and of Geist as self-consciousness.
Nancy's “we”, as might be guessed, is a far cry from Hegel's Sittlichkeit. Where in Hegel there existed the ordered whole of community as result, in Nancy it is a state of diffraction, reaching far beyond the concept of self-consciousness. Indeed, far from being a result, community is not even a predicate, and there is no passing-over from the non-communal to the communal (Morin 28). Thus, for Nancy, there was never a development of community, where for Hegel this was perhaps a major point of development. To this effect, Nancy writes that “we” means “the knowing that is 'for us' is knowing that is not merely 'for consciousness'” (76). We are not consciousness, conceived symbolically or otherwise—we are so much more. This more is of course our being-self, which is constituted in our contact with the other, in our sharing of sense. We are subjects of sense (in both sense of the term “subject”) long before we are consciousnesses, and even longer before we are self-consciousnesses. Nancy likens our relation to sense, our experience of sense, to a rhythm wherein our being-self or being-other (and more accurately both of these at once) is punctuated, discontinuously forming and deforming based on the point of contact: “The Nancean self, then, emerges as nothing other than this syncopated rhythm of successive instances of exposure to sense” (James 49). Consequently, this “we” is the recognition of existence, the beating out of the sharing of sense and the recognition thereof. Further, the rhythm that is always a sharing—everyone can hear the beat—is a further example of Nancy's negative thinking as an escape from the temptations of hypostasis, which is most tempting in the case of the subject even as it is perhaps the least acceptable. There is, put another way, no subject and no subjects outside of their exposure to sense; the subject is nothing but this exposure to sense, this making-oneself-available to sense and thus to truth.
VI. Conclusion
Nancy's rereading of Hegel's project can thus be seen to rely on three conceptual reconfigurations: the subject is interpreted as a fundamental being-with, always a self-diremption and therefore a self-relation; thought and manifestation are exposed in their positedness; and Hegel's completed transcendence is replaced with a striving for transcendence, with a transcending, a teleology without end or goal. Finally, all these lead to a very different interpretation of identity and the problems thereof. Nancy can be seen to be continuing what he considers the core of Hegel's project, namely the labor of the negative. This labor is one that is carried out under the auspices of the Maoist dictum “one divides into two”, a model altogether different from the traditional dialectic developed and utilized by Hegel.
First, the master-slave dialectic takes on a new form, that of dissolution of self and other, of all substance and all being. The importance of this cannot be overstressed—what is implied is nothing but the absence of the other as anything but myself: “This is why desire cannot become what it is in an object, in a given determination. It is desire of the other self-consciousness. The subject is desire of the subject, and there is no object of desire. Desire is appropriative becoming in the other” (Nancy 61). In other words, the interesting thing is that subjects confront subjects in a relation that cannot be described in terms of the old polar subject-object schema. Rather, there is a towardness in the relationship—for Nancy, being is neither an in-itself or a for-itself, but fundamentally a being-toward. We are toward the other, but this does not solidify us in an opposition. On the other hand, we are in an opposition nonetheless: “The concretion of negativity begins with the other” (Nancy 57). Difference is always such only under the aspect of similarity.
Second, Nancy's ontology moves beyond the conceptual or symbolic prison in which Hegel's philosophy was trapped. Here there is no presupposition of the conceptual nature of all reality, and in fact Nancy's philosophy is a rebellion against this conceptual or, more relevant for his intellectual milieu, the symbolic order. His post-phenomenological views of being-with and being-towards are here instructive. Further, Nancy's subject offers an escape from the cynical subject of psychoanalysis, being actually quite optimistic in comparison.
Third, Nancy opens up the possibility of striving and of what can only be a beautiful failure, the failure of identity. Rather than an untying of elements, a letting-loose of the content of his philosophy, Nancy thinks always under the aspect of failure. In other words, he feels acutely the loss of the whole, the loss of the totality as it could exist for Hegel. Nancy is the theorist of loss and failure for our age much as Walter Benjamin was for his.
A future study of Nancy would do well to take a number of things into account not contained in the present paper: the problematic nature of being-with and its possible lack of critical power, which problem however I believe to be solvable; the relation of Nancy's ontology to various concrete social structures, and the related problem of ideology critique that seems in danger of being lost (of course it is already lost in its traditional form, but perhaps it is possible to be recuperated); the possibilities of revolutionary practice that follow from Nancy's philosophy, as Nancy is committed to the loosely-defined far left (having written something, for example, for the conference “The Communist Horizon”); and, perhaps most interesting, the various intersections and contradictions between Nancy's thinking of negativity and that of Theodor Adorno's negative dialectics, as well as the related position of positivity, which is typically preferred in contemporary theories of immanence and difference.
Works Cited
Adorno, Theodor. Negative Dialectics. Trans. E. B. Ashton. Seabury Press, 1973. Print.
Hegel, G. W. F. The Phenomenology of Mind. Trans. J. B. Baillie. New York: Harper Colophon Books, 1967. Print.
James, Ian. The Fragmentary Demand: An Introduction to the Philosophy of Jean-Luc Nancy. Stanford, Calif.: Stanford University Press, 2006. Print.
Morin, Marie-Eve. Jean-Luc Nancy. Cambridge, UK: Polity Press, 2012. Print.
Nancy, Jean-Luc. Hegel: The Restlessness of the Negative. Trans. Jason Smith & Steven Miller. Minneapolis: University of Minnesota Press, 2002. Print.

Thursday, August 8, 2013

I Am Not a Mystic

Let me say right here that I AM NOT A MYSTIC. I don't have firsthand experience of Brahman (yet). I am not a master of meditation. I am only a philosopher (at least I like to think so) attempting to understand different states of consciousness, and applying rationality to the insights gained in what little meditation I have done. There are a few reasons as to why I think this is a legitimate thing to do:

1. Direct experience does NOT translate into correct rationalization, though it may help it along. Many of the arguments and rationalizations of mysticism and non-duality, etc. are unconvincing or missing important aspects or unable to be squared with dialectical Marxism, which I hold at this point as the basis of truth/reality (in other words, I know it works, in whatever non-utiliatarian way I might possibly mean by that).

2. There are certain intellectual aporias that characterize different ages of thought, and I believe ours to be the subjective/objective or identity/difference or whatever name you want to ascribe to the duality. It must be transcended, and this must be done on its own terms, a historical continuity. The question of our historical period must be answered. It must be sublated. This is obviously very difficult and I doubt I can do it, but why not try?

3. I like mysticism and I like Marxism, so that's a pretty good justification, right?

Tuesday, July 23, 2013

Non-Dual Non-Experience?

Continuing my previous project of advaitic dialectics, I have several new thoughts which came to me during a discussion with a friend.

The Totality is experienced as a model, and as a model only. When asked the meaning of a poem, one cannot quote the entire poem back to the asker, though this would be the most direct and truthful answer in some sense. Rather, one must provide something which points to the wholeness of the poem without exactly repeating it. One must, in other words, give a model of the poem. Similarly, the Totality cannot be directly experienced or talked about as Totality, because of the previously-mentioned impossibility of squaring the particularity of one's consciousness with the universality of everything. The individuality cannot make the leap to Totality as Totality, but only may commune with it in microcosm, in model.

This brings me to the point that non-dual experience is quite different from non-dual non-experience. A subjectivity experiencing non-duality is going to be quite different from the simple non-duality that lies "outside" subjective/socially-determined forms and names. The singularity/particularity of one's subjective experience is a component of the mystical experience that is quite clearly not present when there is no sufficiently advanced consciousness to have that experience. Owing no small debt to Marx and to Marxian philosophy, I do not believe that the nature of non-duality is in-itself consciousness, but rather that social conditions yada yada yada...

Monday, May 6, 2013

The Dialectic of Libido in "Elles"

A paper I wrote for a philosophy class... it's not that insightful, but hey...

The Dialectic of Libido in Elles

I. Introduction

The study of the intersections of sex and markets can be taken up from a wide variety of angles, yielding wildly different results. Always during the struggle for method, a heightened awareness of assumptions is important, for often it is the implicit entry point of a theory that goes without being adequately constructed or critiqued. For these reasons, methodological questions have a prominent place in the following analysis, and in our investigations, it will be found that questions of method are, for this specific topic, sites of unusually intense and contradictory claims and interactions. Emerging from the centrality of our to-be-specified method, a triple-movement takes place, one in which successive contextualization is carried out on previously-abstract concepts. Needless to say, the interconnections between our concepts must be paid special attention to, as it is upon them that the whole analysis rests. The legitimacy of the passage from the abstract to the concrete is one that, besides the special although highly important case of “real abstraction”, takes place in the first instance within the sphere of thought, although then it may react back upon the social relations from which it sprung. At every level, then, the form of our analysis must be that of the social, in the broad Marxian sense. This stipulation manifests itself initially at only a general (and almost laughably so) level—that of the Lyotardian theory of libido put forth in Libidinal Economy. That stage of analysis will at first appear to need more justification than is given. However, following Marx's example in the first several chapters of volume 1 of Capital, we shall develop the concept and take account of a great number of tensions that shape and transform our first rough sketch into a more substantial and relevant expression of the essence of Elles. After this, libido will be connected, grounded into the materiality of a body, a body that is influenced and indeed nearly determined by the social discourses which surround it. Finally, at the third and last conceptual move we shall encounter the intersection of our social bodies with the pure and dominant form of social synthesis existing in all societies based on commodity production—the act of commodity exchange. It is only at this developed stage that we shall be able to look back at the initial decision of having libido as our entry point with an informed eye.

In our analysis, the following ordering of presentation is adhered to, though this ordering may not be the same as the real dialectical movement which it seeks to model: method and interconnections; libido (abstract); sexuality (libido + materiality); sex work (sexuality + commodification); conclusion.

II. Method and Interconnections

A more in-depth discussion of method in general, and then of methods in particular, is in order. For an essentially hermaneutic activity such as social analysis, especially regarding a film, method, as mentioned above, plays an exceedingly important role. The various entry-points and focuses brought up in the course of differing methods of analysis testifies to this: are we to speak of the individual ethics of participation or non-participation in sex markets, and thus take the individual as a moral agent to be our entry-point? Or are we rather to take societal structure and the various roles inhabited by those individuals to be fundamental? The framework we choose will have a definite effect upon the types of things we can say, and it is perhaps superfluous to say that this has a definite influence on how we think about these problems. Staying in the dark, refusing to admit the existence of the frameworks and discourses we inhabit is a sure route to utter failure.

What criteria can there be for such an all-important decision as the selection of a method? The first few things to consider are what the alternatives are, what they are allowed to describe, the accuracy of those descriptions, and finally the conclusions wrought by those alternatives. It is in this spirit that I put forth two alternatives between which a decision ought to be (and will be) made: the liberal analysis of the market, with its corresponding focus on whether sex markets should be legal or illegal; and the Marxian analysis of objective economic relationships in production and distribution, with its corresponding focus on what the alternatives to markets are, and its systematic approach to the effects of particulars. Fundamentally, this is a methodological question, and it has spawned countless debates over nearly the last two centuries. So which one should we utilize for the current analysis?

I give this answer emphatically: Marxism. A number of critiques and studies are useful to reference here, relevant to why I believe Marxism to be the superior social and economic framework and methodology. I will deal with each of the following points briefly following their statement: Marx's Capital, and after it, the work of Alfred Sohn-Rethel in Intellectual and Manual Labour and of I.I. Rubin in Essays on Marx's Theory of Value, correctly point out the existence and prominence of so-called real abstraction and reification, functioning on the level of social relations but nonetheless real; the power of dialectical analysis utilized as a way to connect abstract and concrete conditions, as found in the Uno-Sekine approach to Marxian political economy; and the power of dialectical analysis to dispel ideological abstractions based on hypostasis and false unities or oppositions, found most prominently in the work of Theodor Adorno. Additionally, Marx's Capital will be used as a methodological model of the presentation of our analysis.

The neoclassical framework, now commonly adopted without question for problems of economics, is perhaps the major alternative to Marxism (although it would probably be more accurate to say that Marxism must be the “alternative”, the one of which justification is demanded). This is of course not to say that it is incorrect, simply because it is adopted without question. However, I believe it to be inferior for a number of reasons, of which the “critical” attitude of Debra Satz will be used as a case study. Satz's claim that “...in order to understand and fully appreciate the diverse moral dimensions of markets, we need to focus on the specific nature of particular markets and not on the market system” is, I believe, central to the liberal analysis of markets (Satz 17). Satz apparently acknowledges Marx's contribution to the analyses of Smith and Ricardo, namely his theory of exploitation based on the commodification of labor-power: “...Marx singled out the distinctive nature of human labor power as a commodity whose purchase gives some people power and authority over others” (Satz 7). However, this “power and authority” is most certainly not the extent of the importance of labor-power within mature capitalism. Satz goes so far as to say that “Indeed Marx's normative condemnation of capitalism focuses on its degradation of human beings to animals and things, and not on its distribution of wages and profits” (Satz 56). I believe that these few quotes display a complete lack of understanding of Marx. First, labor-power has such a central role because it is an ubiquitous commodity, present within all capitalist industries and firms, and indeed according to Marx the exploitation of labor is the sole source of profits. This is why we must view markets systematically—sure, labor-power is a specific commodity, but it is also systematic in a way that Satz excludes from her analysis. This exploitation of labor cannot be solved by simply having workers who “are not deskilled automatons, enjoy more than subsistence wages, and identify with their jobs” (Satz 57). Even given this fantasy, within capitalism there is still exploitation of labor by capital, and thus there is still not egalitarianism, regardless of Satz's wishful thinking. Age-old accusations of the inconsistency of Marx's economics, starting soon after Marx's death with Bortkiewicz and Böhm-Bawerk, can no longer be given as reasons for the rejection and suppression thereof. Andrew Kliman has demonstrated decisively that Marx's economic theory is consistent and relevant, and thus I believe that much of the liberal egalitarian critique of Marxian economics is unfounded, especially from Satz's perspective (Kliman). Unfortunately, Marx is still rejected out of hand as an economist, quite apart from the (qualified) acceptance of his work in sociology and philosophy, though even that is so often distorted.

Returning to Elles, we can immediately see the effectiveness of viewing things from a Marxian and dialectical perspective than from a liberal or simply ethical perspective. Beginning with an abstract category, and successively adding in factors of reality, our analysis will pass from a caricature, a theoretical fiction, to a concrete analysis of sex markets as depicted in the film. Ours is similar to Marx's method in Capital, wherein the appearance of society is taken as a starting point: as he says at the very opening, “The wealth of those societies in which the capitalist mode of production prevails appears as an immense collection of commodities'; the individual commodity appears as its elementary form. Our investigation therefore begins with the analysis of the commodity” (Marx 125). Similarly, taking the film at face value and then working our way through the necessary movements of this idea, our analysis will start with the concept “libido”, because, as it were, the well-being of groups in which the capitalist organization of social relations prevails appears as an immense spreading-out of libido; the individual libidinal intensity appears as its elementary form. Our investigation therefore begins with the analysis of libidinal intensity.

III. Libido

Taken at face value, the widening and expanding of libido seems to be the key to the problems presented to Anne in the film. Anne is, at the beginning of the film, a wholly sexually repressed bourgeois woman who has no intimacy with her husband, and no emotional intimacy with her children either. She rations her cigarettes and doesn't allow herself to drink except for a little wine. Compared to the sex workers in the film, she is unhappy and fundamentally estranged from life and from a meaningful sense of self. Why she is restricted is not important relative to how she lives her life within those all-too-common restrictions. Sexual repression exists, and the film, rather than looking into the reasons why, explores our possibilities for emancipation from within. More importantly, libido and its expansion is presented as the focal point of the film as a whole, due to the focus on Anne and her reactions to the apparent sexual liberation of the sex workers (something we will return to in the next section). All the way through to the end of the movie, when Anne attempts to have sexual relations with her husband in a bid for libidinal expansion, we see the focus on Anne's repression. Without yet exploring what the real problem is, it is clear that Anne's ideological (in the Marxian sense) take on the problem is based on the libido and its expansion. First, the pure libido will be examined with the help of Jean-Francois Lyotard's theory of libidinal economy; then its tendency to expand will be explored; finally its connections to Anne will be re-examined and its importance re-affirmed in light of the expanded investigation.

The theory of libido as it is understood today descends from Sigmund Freud, the founder of psychoanalysis. To better understand how classical libido theory was revised by Lyotard, it is useful to understand the death drive as well. Late in Freud's career, due to complications arising from the interpretive monism of libido theory, he put forth an opposing drive, the death drive. Of it he wrote, “Libido has the task of making the destroying instinct innocuous, and it fulfills the task by diverting that instinct to a great extent outwards...The instinct is then called the destructive instinct, the instinct for mastery, or the will to power” (Freud 418). The positive libido and the negative death drive form an opposition in this regard, and it is just this type of opposition that was questioned by the French post-structuralists, a group of which Lyotard may be considered a member at some points in his career. Specifically, his work Libidinal Economy put forth a purely positive theory of the libido, and by doing this it had to become wholly abstract, a so-called theoretical fiction. Libido, as Lyotard uses the term, is the pure affirmative impulse, intensity, or affectation (Lyotard 4). It exists on a primal level prior to consciousness but may manifest in and through consciousness. It is desire, abstract enjoyment, the positive, all in one. As Fredric Jameson wrote, “To be sure, nature (or being) is as full as an egg, there are no absences in it, and no oppositions either...” (Jameson 37). While Jameson takes this idea in a quite opposite direction, it is a good illustration of the motivation of Lyotard's libidinal philosophy: we do not perceive a lack. Rather than understanding desire as lack, as with Lacan, we should understand it as full or positive.

As pure positivity, libido has the tendency to expand—and it would not be far off even to say that libido's essence or nature is to expand over previously non-libidinal spaces. The expansion of pure positivity is akin to the formation of points of intensity, and if we simplify substantially, a phenomenological or psychological interpretation of intensity would be permissible. However, it is not only that; there is also a semiological significance to Lyotard's libido theory, which can be thought of as a kind of ground or argument upon which the previous statements might be based. In the place of the semiological sign, Lyotard proposes the theory of the tensor, a duplicitous sign: one side is the semiological sign; the other is that of the residual potentialities of other meanings, overflowing the system and running into others, covering the entire semiological plane with meanings or intensities. In modern bourgeois society, the sign negates or even annihilates the signified, and, in good post-structuralist fashion, all that remains is the so-called endless metonymy of meanings, the deferral of meaning to yet more signifiers. However, Lyotard's theory does not follow Derrida into the conclusion that “there is nothing outside the text” (Derrida 158). Rather, Lyotard returns to the experience of positivity, of the libido, a pre-semiological escape that yet shows the same characteristics. Regardless of these differences and similarities with Derrida and with other post-structuralists, the expansion of libidinal activity remains.

Returning to the film, we can now apply Lyotard's theory of libido with more precision. Anne's repression stands in for the nigh-unexpanded libido, one that cannot create points of intensity where it wills. However, since our theory is at this point still in the abstract stage, the stage of pure affirmation and immediacy, we should focus on the expansions in the film that have significance. This phenomenon of libidinal expansion is present in the film in multiple locations. Anne participates in several scenes that are even presented similarly to the explicitly pornographic scenes, for example the foot massage she gives her father on his sickbed. The skin-to-skin contact, the oil, and even Anne's apparent attitude towards the act lend it a sexual quality. Other examples include Anne preparing the shellfish and cooking the same dish that was said to have been cooked by the Polish sex worker's first client. In Anne's opening-up to sexuality she begins to experience it everywhere, the repression finally losing its hegemonic hold over her. The connection seems obvious between the libidinal expansion in Anne's day-to-day activities and that in the sex workers' jobs. All here is positivity, points of intensity emerging in a wide variety of activities, most strikingly those mentioned above that are not “sexual” in the traditional sense of genital-to-genital intercourse. The upshot is that there are regions, such as the “sexual” in the traditional sense, that still deny access to her libido—her masturbation is an important part of her libidinal awakening, but even that is not the culmination of the libidinal spreading-out, as it effectively has no culmination. Thus, the inconsistencies in our theory of pure libido when applied to the concrete conditions in the film push us onward to a less abstract category: that of sexuality.

IV. Sexuality

In terms of our libido theory outlined in the previous section, sexuality can be understood as libido (or libidinal expansion) with the addition of materiality, or better yet, libido's intersection and interaction with materiality. Unlike Lyotard, we will not stay in the realm of theoretical fictions, but will move to a more concrete and more useful analysis of society through the lens of Elles. In this spirit, we must now outline the following problems and their solutions: the elaboration of the necessity of the conceptual passage from the abstract (libido) to the relatively concrete (sexuality); the question of space, objects, and their abstraction; the question of the material and the social as they relate to sexuality and finally the re-application of our newly expanded theory to the concrete examples of the film under analysis.

What is the nature of the change from our wholly abstract concept of libido as defined by Lyotard to the more concrete concept of sexuality? The tendency towards expansion of the libido is counteracted by the socially- or materially-imposed negativity of repression, which is then reinforced by the activity of the psyche in its development and in its socialization. In other words, the pressure of material reality, such as the constraints of the psychical economy (not having infinite libidinal energy), lack of biologically necessary resources, &c., causes the stoppage or even the contraction of the libido. Similarly, social impositions, such as the “No!” of the Father, can cause a libidinal contraction in one area, leaving the question of how and if this contraction is offset by reciprocal expansion for another time. Thus, there is at the very least a transfer of libido from one area or space to another, which, taking into account the pure expansionary striving of that libido, is bound to cause friction or contradiction, if not outright neurosis. Much like a post-structuralist version of Freud's theory of the raging Id, which is subsequently repressed by the superego, our theory now comes to the raging libido, this time repressed by reality itself. This point deserves further elaboration.

The nature of space itself requires the real and conceptual replacing of libido by sexuality. One libidinal “space” or intensity is always bound to be unequal by the existence of other points and areas of non-intensity. As libido could never truly be theorized statically, without the movement based upon inequality, really existing three-dimensional space is the ultimate repressor of libido, in the sense that it is lived space. Drawing on Heidegger's concept of the ready-to-hand world, filled with objects and directions and concern, as against the abstract empty present-at-hand space of science, the question of objects and of space finds its solution. The nature of the abstraction of objects from out of the mixed-together field of sensory perception is one that is based on the kind of beings we are (ignoring for the moment the real abstractions of a society based on commodity exchange; this will be dealt with in the next section on sex work). As Dietzgen correctly stated, “Where do we find any indivisible unit outside of our abstract conceptions? Two halves, four fourths, eight eighths, or an infinite number of separate parts form the raw material out of which the mind fashions the mathematical unit. This book, its leaves, its letters, or their parts, are they units? Where do I begin, where do I stop?” (Dietzgen 84). In other words, the lived reality of space is always already broken into pieces by the mental activity of abstraction. This is more fundamentally why we must pass from the Lyotardian theory of the pure, positive libido to the theory of sexuality, that of the really lived libido.

Our analysis now leads us to the question of the differing roles of the material and the social aspects of reality and of our abstractions, something which was briefly touched on in the preceding section. Put simply, what is the distinction between the material and the social in our chosen methodology? It was one of Marx's greatest achievements to outline the relation between social forms and their material content, and it would do us well to follow his distinction here. In the first place, there is certainly and undeniably a material substrate that resists absorption into the hegemonic symbolic order of signification, or social form. However, this material substrate is only that—the unnameable, the heterogeneous. All else is pressed into social form. This social form can be thought of as the “form of appearance” of some deeper dialectical concept or material. To give an example: In capitalism the concept of value takes on the “form of appearance”, the social form, of exchange-value, which is further the form of which socially necessary labor time is the content. There are thus multiple distinctions that can be made—one concept's form is another concept's content, as it were. To sum up, the social and the material are intimately bound up with each other, and one cannot be understood or even thought without the other. Thus, we were right to say earlier that sexuality is the libido's intersection and interaction with materiality, if we add the stipulation that it is a social or symbolic reality (which is the way Marxists understand the term anyway). Even within the concept of the material, the social permeates, and always within the social, the material permeates. A striking example of this is Marx's theory of the base and superstructure. The economic base contains within itself, alongside the material forces of production, the relations of production, social relations that are the connecting link to the superstructure.

Returning to the film, armed with our newly expanded theory of sexuality, we can analyze a good deal more of the situations contained therein, most especially Anne's sexual repression, which was incomprehensible from the standpoint of the pure libido (surely, one could begin with sexuality, but that was not the immediate presentation of resolution in the film). First, it is now apparent that Anne's lack of sexual freedom, expression and satisfaction is based in the spatially-oriented world of bourgeois society. Capitalism's latest postmodern phase of spatialization at the expense of temporality might be put forward here as a further catalyst to this phenomenon (Jameson, Postmodernism). However, the basic fact of materiality, as outlined above, creates an upper limit to the amount of liberation that can take place, concretizing the conditions of libidinal expansion and making a specifically sexual libido or expansion possible. To give an example, this time not about Anne: Charlotte (Lola) finds sexual liberation with her clients, while the sexual relationship with her boyfriend is one of tension and restraint. In a certain scene, we are sure that the person she is having sex with is her boyfriend because it is so passionate, but in the end he turns out to be a client. Later we see Lola's interactions with her boyfriend: she clearly does not want to have sexual relations with him, even though she'd been so passionate with the client beforehand. In this case, the materiality of different circumstances and different temporal or spatial arrangements of objects and abstractions (to speak abstractly) contributes to what is sexuality and sexual liberation are and what they are not. As it is sexual, this type of liberation or expansion must be connected also to the body, a more concrete libidinal apparatus than the pure subject. Although space is still sought to be filled with libido, it's activity is restricted socially and biologically to specific activities and to specific times and intensities.

With Anne, we see her libidinal expansion, as noted before, in the foot massage she gives her father and in the shellfish she prepares for dinner. However, the social and biological constraints—the relation between the two is fuzzy, but suffice it to say that the social triumphs over the biological, at least in the realm of consciousness—which are placed upon her by what we have above called materiality cause the outlets for these libidinal activities to be limited. Thus, the social ideology of libidinal expansion, its socially-imposted ideal, which we here consider almost a transhistorical phenomenon, is the sexual relationship. With the ascension of the socially-imposed norms and expectations that our concept of sexuality implies, Anne desires the specifically sexual, as the term is typically socially defined. Thus, our concept of sexuality, of sexualized libido, has something of specific content to it: it is not applicable to all libidinal subjects, and it is important to keep the abstract and the concrete methodologically separate, and not to over-abstract or too quickly universalize a given concept.

There still remains, however, a number of instances that we cannot understand at the level of simple sexuality. We must proceed to take account of the effects of markets on the lives of the people within the film, and then envision how these results might be universalized (a relative universalization, to be sure) or not. First, the impersonal self-abstracting effects of capitalist markets and the associated phenomenon of reification are not brought about through any meaningful or purposive psychological or subjective interaction (though these phenomena may have these types of interactions as prerequisites, it is not necessary to delve into them to understand the phenomena in question at the given level of abstraction). Second, we must ask the question of why Anne is not sexually liberated, while the sex workers appear to be, at least on this level. The obvious question arises: what are the conditions of sexual liberation in the bourgeois society portrayed in the film, and to what extent are the results to be found there applicable to our society today? Third, given the stated goal of normative market policy, and to answer the previous two points effectively, we must push onward to a third and final organizing category: that of sex work.

V. Sex Work

Sex work is here defined as the intersection or interaction of sexuality within the capitalist mode of production. In order to consider the interaction, a brief review of Marx's theory of capitalism is in order. Thus, the order of this section will be divided into: the capitalist mode of production in general; the theories of commodity fetishism and reification; the interaction or intersection of sexuality with capitalism on an economic level (sex work from an economic viewpoint); the interaction or intersection of sexuality with capitalism on a superstructural or ideological level (sex work from an ideological viewpoint); and the conclusions we can draw about the film from our finally-completed (at least provisionally) analysis of Elles.

The Marxian concept of “mode of production” is one that describes the dominant economic logic, typically of appropriation, of a given historical society. For example, the mode of production present in ancient Egypt involved the extraction of surplus from farmers around the Nile River. It is upon the combination of this direct surplus extraction and the farmers' subsistence farming that the Egyptian economy was based. Currently, we live in the capitalist mode of production, in which the dominant economic logic is one of commodities and commodification—it is fully matured only when labor, that most basic element of productive activity, has been turned into a commodity that is bought and sold by supposedly free and equal economic agents. Highlighting the logic of commodification and the production of commodities by means of commodities, the capitalist mode of production is one in which markets play a dominant role, whether the circulatory or distributory spheres allow more or less free competition between producing firms. Thus, not all markets are capitalistic, though capitalism requires markets for its functioning—that is, for its characteristic laws to assert themselves. The question of the commodification of sex, producing sex work that is put on the market for sale, must have its solution based on the real logic of capitalist production and appropriation, in which workers produce more value (as well as more physical output) than their labor-power was worth on the market. Even paid at full price for their labor-power, the workers are exploited by capitalist surplus-value appropriation in the form of surplus product.

Alongside the capitalist mode of production, the concept of base and superstructure will be exceedingly important to us here. The economic “base” is the combination of the forces and relations of production upon which the ideological “superstructure” is built. However, the relationship between the two is not one of pure determinism.* For now, we will assume a dialectical, multi-directional relationship as put forward by Mao Zedong in his brilliant work On Contradiction. In certain cases, the superstructure may be said to react back upon the base, such as in a revolutionary upheaval, when the relations of production restrict the growth and application of the forces of production. However, a much more general reading is warranted as well, in which a revolutionary situation is not required for the superstructure to become the “determining factor”, so to speak, but rather there is a two-way interaction between the two spheres at all times.

Building on the relation between base and superstructure, and applying the distinction to the capitalist mode of production, we arrive at the peculiar concepts of commodity fetishism and reification. Commodity fetishism is the concept used to describe the determining character of commodities on the division of social labor in a capitalist economy. In other words, it describes the fact that in a capitalist economy, it is commodities that play the socially-synthetic role, and it is to them that falls the task of apportioning and re-apportioning the total amount of social labor available to society into specific enterprises and industries. Through this action, commodities take on a mysterious and mystical power: “To the producers, therefore, the social relations between their private labours appear as what they are, i.e. they do not appear as direct social relations between persons in their work, but rather as material [dinglich] relations between persons and social relations between things” (Marx 166). The broader concept of reification builds upon this understanding of commodity fetishism to include a wider superstructural phenomenon of inverted relationships. The relationships which are typically called “reified” are those in which a process or motion is held to be constant, as if it were a thing. To give an example of the wide and powerful application of these ideas to the study of ideology: Alfred Sohn-Rethel has examined the relationship between reification and epistemology before, noting the connections between commodity fetishism as the social synthesis and classical models of epistemology.

Now we may ask what the interaction between sexuality and the capitalist system is on the economic level—this is the first part of the critique of sex work. Looked at purely economically, it must be said that sex work is not all that different from other kinds of work. The sale of sexual labor-power is no different from the sale of other types of labor-power, and given our strict definition of commodity fetishism above, services act as commodities too, contrary to the interpretations of, for example, the Uno-Sekine school of Marxian political economy. Sexual labor-power is either exploited or not, based on whether surplus-value is extracted by someone occupying a different class position than the worker who acts in production. Unfortunately, the film does not go into the alternative cases of self-employment or other-employment, so the dynamics of this interaction cannot be analyzed sufficiently in view of the film. It seems, then, that something other than a purely economic analysis is called for, and what better to use than the concept of reification, the natural extension of the concept of commodity fetishism to the so-called non-economic realm.

Viewing sex work from an ideological or superstructural viewpoint, it takes on a number of characteristics not analyzable from the purely economic perspective previously adopted. First, sex work plays an interesting and important part in the market society portrayed in the film. The outsourcing of sex from the home into the market is portrayed there by the sex workers' clients' demographic, which is almost exclusively married men. This phenomenon occurs for two reasons: first, it is simply another part of the imperializing effect of the value- and commodity-forms into yet another sphere; second, it is a manifestation of the expulsion of intensity to the outside of the self-identical family unit.

The ideological reaction to the imperialism of the value- and commodity-forms into sex work is quite important. People's lived relation to the reality of commodified sex is to normalize (that great imperative of the bourgeoisie) and defuse non-commodified sex, even to the point of complete elimination, as in the case of Anne and her husband. It is difficult to imagine why sex would be any different than other goods, which, as capitalism takes root in their production, in most cases cease to be otherwise produced. It is important to understand this as a systematic trend of the capitalist markets and their expansion into previously un-capitalized spheres. The effective outsourcing of sex from the home into the market is a particularly striking example, but certainly not the only one (one need only think of food or clothing production). The effects of this expansion will be explored in the final section below.

Real abstraction is a phenomenon that arises in capitalism due to the abstract nature of human labor within that system. Multifarious concrete labors are equated only insofar as they are treated abstractly by the capitalist mode of production and exchange. In the exchange of a commodity for money, the abstract labor contained in one is equated with that in the other (see Marx's labor theory of value). Other prominent real abstractions under capitalism are the Newtonian worldview and its corresponding Kantian epistemology (see Sohn-Rethel). Real abstraction also takes place, however, in the functioning of the family unit as a self-identical whole. This means that the family is treated by capitalism and by the legal superstructure as a single unit, a single unified decision-making firm. The unification of family members in this sense thus mirrors that of the firm, and the differences in libidinal and sexual intensities are effectively excluded and even, in extreme cases, eliminated from the family-firm as destructive. The reproductive aspect is taken as an important part of business, however the sexual relations between members must be regulated for the benefit of that unity.

So what is the base-superstructure relationship regarding sex work in the film? It must be understood on the basis of real abstraction, on the interaction between the logic of the market system, the base, and the ideological superstructure surrounding sex work, on which people order their organization, in this case in what we've been calling the family-firm.

VI. Conclusion

Finally, our triple-movement of libido, sexuality, and sex work has come to a momentary halt. Needless to say, the analysis could continue into more and more concrete conditions and come up with additional insightful statements. However, it is good to stop at a certain level and abstract once more what we can, in order to arrive at general or normative statements about the market economy in sex. With what we have done so far, we may begin to produce a normative prescription for market policies regarding sex work—although, in reality our analysis has led us to something quite different from typical market analysis, as will soon be made apparent.

First, the market system must be opposed as a system. The effects of the market are much deeper and more far-ranging than typical neoclassical efficiency-based arguments make apparent, as even Satz recognizes. It is true that we cannot judge the effects of markets if we only look at abstract homogeneous commodities, but if we start to look at concrete commodities we inevitably encounter labor-power, that most ubiquitous and problematic commodity the exploitation of which forms the necessary precondition for the reproduction of the capitalist mode of production. We cannot understand capitalism without looking at it systematically, but this must be done in a concrete and not abstract way. Marx's analysis of labor-power and his theory of exploitation show this, and Andrew Kliman's recent work confirms it in light of its many historical criticisms.

As for sex markets as a specific kind of market, they should be opposed from a systematic point of view. The question “Should sex markets be legal?” is the wrong question. Capital incessantly seeks out new markets and new areas of the world to absorb into itself, and the fight against one “noxious” market is inevitably replaced by more. As technology develops, the struggle against the destruction wrought by markets (both due to capitalist crisis and due to the destruction of moral boundaries and the foundation of “noxious” markets) will not be halted. The inherent creativity of the capitalist system, its creative destruction of non-market units (as in our discussion of the family-firm), insist that a moral problem solved is but a temporary respite from a greater and endless creation of moral dilemmas. Thus, Elles provides a tiny and insufficient view of sex work, shown only from the individual's point of view. Always the sex scenes are particularly pornographic, which even projects agency onto the audience. In capitalism, the voice of the agent, of the holder of money or power, is privileged.

The agency of the worker, especially that of the sex worker, is really non-agency wearing the disguise of capitalist ideology. The freedom to sell oneself on the individual level becomes, through the imperializing tendency of global capitalism, the normalcy of sexual interaction. The phenomenon of a striving towards normalcy that is so typical of the bourgeois mentality finds its ultimate connection with patriarchy in the outsourcing of sex from the home. The already-disempowered female spouse is stripped of even her sexual role in this the latest stage of market expansion. We cannot speak of freedom only with a single market in mind, however, nor even with a summation of all markets, but only by taking into account the larger ordering of society through the all-pervading economic structure. Elles cannot answer this.

Libido is the pure affirmative impulse; sexuality is the libido's interaction and intersection with materiality, particularly with the body, made particular by the customs and methods of socialization in a given society; sex work is the integration of sexuality into the capitalist market system. The particularity of the market mechanism (of which bourgeois normalcy is an extension and expression), means that we cannot confront sexuality and the libido apart from the phenomenon of sex work, which is, or seeks to be, the dominant reality. Not even touching upon the shaping of our sexual desire by advertisements and other such exposures, the reality of sex work under capitalism is striking in its dissimulation of agency, power, freedom, and of sexuality itself.


Works Cited

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Dietzgen, Joseph. The Positive Outcome of Philosophy. Trans. Ernest Untermann. Chicago: Charles H. Kerr & Co., 1906.

Freud, Sigmund. “The Economic Problem of Masochism.” in On Metapsychology: The Theory of Psychoanalysis: “Beyond the Pleasure Principle,” “The Ego and the Id” and Other Works. Harmondsworth: Penguin, 1984. Print.

Jameson, Fredric. "Postmodernism, Or the Cultural Logic of Late Capitalism." New Left Review. 146 (1984): 53. Print.

Jameson, Fredric. Valences of the Dialectic. London; Brooklyn, NY: Verso, 2009. Print.

Kliman, Andrew. Reclaiming Marx’s Capital : A Refutation of the Myth of Inconsistency. Lanham, MD: Lexington Books, 2007. Print.

Lyotard, Jean-François. Libidinal Economy. Bloomington, Ind.: Indiana University Press, 1993. Print.

Mao, Zedong. “On Contradiction.” in Selected Works of Mao Zedong. Vol. 1. 1st ed. Peking: Foreign Languages Press, 1967. Print.

Marx, Karl. Capital : A Critique of Political Economy. Vol. 1. Harmondsworth, Middlesex, England; New York, N.Y.: Penguin Books in association with New Left Review, 1976. Print.

Satz, Debra. Why Some Things Should Not Be for Sale: The Moral Limits of Markets. New York: Oxford University Press, 2010. Print.

Sohn-Rethel, Alfred. Intellectual and Manual Labour : a Critique of Epistemology. London: Macmillan, 1978. Print.


*Most Marxists agree on the determination of the superstructure by the economy “in the last instance” (the particular meaning of this phrase cannot be gone into in sufficient depth here, but suffice it to say that much has been made of it since the time of Louis Althusser especially).