Pages

Monday, April 22, 2013

Truth in Marxist Theory



Here is an essay I wrote last semester, which, while I no longer agree with much of it, is still somewhat interesting.


Truth in Marxist Theory: The Problem of the Totality as The Problem of Universals: 

A Dialectical Reconsideration 

I. Introduction

The concept of truth is a problematic one for modern Marxist philosophers. Throughout the development of Marxian thought, metaphysical concepts have been subjected to intense criticism, and most conceptions of truth are indeed metaphysical. Thus, it has been the task of Marxism to establish a concept of truth that is consistent with materialist dialectics; this is not an easy thing to do. First, the concept must be compatible with the critique of commodity fetishism in particular and reification in general—it cannot simply be a concept denoting what is; it must also take account of the dialectical principle that what is is rather what it becomes, and must further be able to look beyond the surface phenomena to discover the real relations that make up reality and are obscured by hypostasis.

A number of thinkers have attempted to solve the problem of Marxian truth, and thus will be referenced in this connection. A coherent theory of truth within the context of a philosophy of internal relations, such as Marxism, must reference the logical outcome of those relations, namely the totality—the complex of all social relations at all levels of abstraction including emergent properties. The theory of Georg Lukács, espoused in History and Class Consciousness (1923), used the concept of the totality as a major re-appropriation of G. W. F. Hegel for Marxism; hence the prominence of both Hegel and Lukács in our discussion. Lukács posited a totality that was knowable, or at least that the material conditions for that knowledge could be created through practical activity. However, Theodor W. Adorno, a great critic of “identity thinking” (the subsumption of particulars under necessarily ill-suited universals), disputed the concept of the totality on a number of grounds, and thus some of his works and ideas have been included for elucidation of this critique. Adorno's work led to the raising of two main points in this context: (1) all-encompassing concepts (concepts having the quality of totalization) are abstract and meaningless; and (2) descriptions of the totality's specificities are misguided.

In this paper, I will first present the problem of universals for Marxian theory, and then apply this to the specific case of the Marxian totality. Through this exposition, I will mount a defense against the so-called immanent negative theory that would deny the cogency of the totality, while taking into account the valid aspects of its criticism. The defense against the above-mentioned (1) will be based primarily on the manner of conceptual genesis employed—how it differs between totality and Absolute Spirit—and therefore how the type of universals is different. After establishing the need for the totality as a concept and arguing for that concept's coherence, the defense against (2) will take the form of a grounding of the concept in materiality in order to protect it against subjective determinations and idealism. In addition to this, a new conceptual scheme involving multiple totalities—objective, subjective, and conceptual—will be developed and applied for the defense of Lukács.

II. Abstract and Concrete Universals

All thought is abstraction.1 The human subject is bombarded with a mass of sense-data which is “in itself” unstructured. It is the work of the mind to structure this data, putting relevant data together to form discrete objects and present a comprehensible world to one's consciousness. Some data is ignored—for example, at any given moment one does not “see” everything that is in one's field of vision; all data is structured, pressed into categories and objects (Ollman 44-46). The problem is presented by German philosopher Joseph Dietzgen as follows: “Where do we find any indivisible unit outside of our abstract conceptions? Two halves, four fourths, eight eighths, or an infinite number of separate parts form the raw material out of which the mind fashions the mathematical unit. This book, its leaves, its letters, or their parts, are they units? Where do I begin, where do I stop?” (Dietzgen 84).

In other words, particular packets of sense-data are interpreted by the mind, forming a mental representation of the material world.2 There is also another kind of abstraction, however, namely the abstraction of “universals” or “concepts” from these existent objects. It will be helpful to keep in mind that the object is a variable conception, but in general we will assume a given or “fixed” field of objects, and concern ourselves primarily with this second form of abstraction from those objects. Thus the object, as a particular, whatever its boundaries, gives rise to universals. Take the following example: I may abstract the quality of “color” from various colorful objects. “Color” is here our universal, our concept, as opposed to the myriad colorful objects, which are our particulars. Universals, as the direct substance of thought and the locus of discussions of truth, must receive an in-depth analysis.

Following Hegel's lead (and thus that of Lukács), we will here consider two basic types of universals: abstract and concrete. It might help here to review Hegel's philosophical project.3 First and foremost, Hegel was a rationalist and an objective idealist, meaning he attempted to deduce the categories of existence from a “first principle”. However, this first principle couldn't be just any concept; it couldn't be arbitrarily chosen. It had to be the first principle both objectively and necessarily. He reasoned that the pure idea of Being had to be this first principle—whatever we say about anything, we must first say that it in some sense is. But what would it mean to deduce something from something else, namely from Being? One way to think about it is this: The first concept contains what is to be deduced within itself implicitly, and deduction makes the deduced aspect explicit. Hegel's program is to make all that is implicit in Being become explicit. Concepts further on in the system (as he goes on deducing from Being) are more explicit, meaning they show more and more of the truth in themselves. A way to say this is that Being is abstract, whereas, say, Becoming (a subsequent concept) is concrete. Being is abstracted from the differences between everything, leaving only what was the same about all of them, their pure Being. Hegel's process is then to negate Being (supposedly a purely logical operation yielding Not-Being) and subsequently combine the two, yielding Becoming. Becoming contains what is similar and what is different about the earlier concepts—it is thus concrete. It contains the similarity—things that are totally dissimilar obviously cannot be deduced from each other (this amounts to Hegel's belief that ideas contain their opposites within themselves)—and the difference—Being and Not-Being were posited as opposites, and we have subsumed them within Becoming. Although the specifities of Hegel's philosophy were shown to be flawed,4 we might abstract from it and put the distinction the following way:

An abstract universal is a universal that excludes what is different about its species, and includes what is similar. For example, “color” includes what is the same about red and blue, but it does not contain what is different about them. We may abstract (deduce) “color” from the specific colors red and blue, but we cannot deduce the colors red and blue from the idea of color. It is in this sense that we say we “abstract away” this difference. A concrete universal, on the other hand, is a universal that includes what is different between its species and what is the same. In Hegel's philosophy, concrete universals are what allow him to deduce his system of categories—otherwise he couldn't have deduced anything from Being because it was the most abstract concept. Thus, concrete universals were developed so deduction could go both ways, from abstract to concrete and from concrete to abstract:

An abstract universal is a genus which does not contain its species within itself. A wholly new conception of the nature of universals has to be evolved if deduction is to be possible, a conception according to which the universal, the genus, contains its differentiae and its species within itself, so that they can be extricated from it by a logical deduction. Such universals are called by Hegel concrete universals. (Stace 84)

There is, in the above conception, and in the subsequent theorizing of Lukács and Adorno, the assumption that concrete universals are in some sense better than abstract universals5. An abstract universal is empty, whereas a concrete universal is meaningful and useful. Abstract universals exclude the concrete particularities of the historical situation, and thus are not very useful for sociohistorical analysis, which is the self-appointed task of Marxism.

This is particularly important when we add the quality of totalization to our universals. To take an example: Hegel's Absolute Spirit was supposedly the most concrete universal—it lay at the end of his deductive system, it was the most explicitly true category, and as such it contained its entire makeup—all previous concepts in the system—explicitly within itself. To put this idea another way, the Absolute Spirit has no Other, meaning it is total. No categories exist against which it is opposed. This is seen to be necessary because having an Other would permit a further synthesis or inclusion—in other words, the Absolute Spirit would not be so absolute after all; it would be incomplete. Instead of being mediated, this totalized concept is a new immediacy, utterly self-identical. It is here that a problem arises, according to Adorno: “Following Hegel's own argument, such an entity which is not mediated by an other, another concept or real object, is abstract: it is totally indeterminate and empty, something you can arbitrarily attribute properties to—and as such certainly different from the many particular determinations and specific entities it is supposed to contain” (Baumann).

This problem is one with the concept of totalization itself—the absolute inclusion of everything within a supposedly self-identical whole. As Lukács's concept of the totality is a totalized universal, does it then follow that the totality is subject to the same criticism as Adorno mounted against Hegel's totalized universal, namely that it is abstract?

III. Problem (1): The Totality as Universal: Abstract or Concrete?

Lukács was explicit in his belief in the importance of the totality: “Only in this context which sees the isolated facts of social life as aspects of the historical process and integrates them in a totality, can knowledge of the facts hope to become knowledge of reality” (Lukács, History 8)6. Even Adorno admits this, or at least something similar, writing “To comprehend a thing in itself... is nothing but to perceive the individual moment in its immanent connection with others” (Adorno, Negative Dialectics 25). In other words, the totality is the key to understanding the truth of the objects. Without it, epistemic truth is impossible—we would have nothing against which we could in theory measure the truth of a statement. We get, in a rare methodological explanation by Marx himself, a glimpse of this importance: “Even a history of religion that is written in abstraction from this material basis is uncritical” (Marx 494). Critical thought thus lies in the relation of things to materiality—in other words, it lies in their concretion. Note that the following discussion will be limited to the totality's coherence as a concept, due to its importance for truth, and the question of the “filling-in” or description of that totality will be left to the subsequent section.

The totality, as has been said, may be understood as the complex of all social relations, on every level, including emergent properties. Thus, the totality is simply the idea of context (Marx's “material basis”) taken to its logical conclusion—the entirety of something's context. The totality is, much like Hegel's Absolute Spirit, the totalized concrete universal. But what makes the totality properly Marxian as opposed to the idealist Absolute Spirit? Lukács criticized Hegel along the following lines:

Having failed to discover the identical subject-object in history [Hegel's philosophy] was forced to go out beyond history and, there, to establish the empire of reason which has discovered itself... [From that vantage point] History is not able to form the living body of the total system: it becomes a part, an aspect of the totality that culminates in the “absolute spirit”, in art, religion, and philosophy. (Lukács, History 147)

Thus, the totality is not simply context (as things are) but historical context (as things were, are, and will be, “things” being understood as relations or processes). As opposed to this, Hegel's context was an idealist context—not material and social relations but rather conceptual interactions within a closed system of thought; the closed thought was equated with a closed reality, rightly understood as inside that thought.

The question thus presents itself: Is the totality empty and abstract, or is it concrete and meaningful? To answer this, we must analyze the method of conceptual genesis of universals. As Dietzgen pointed out, this method is of the utmost importance. Universals are not simply givens, but are mediated by complex mental processes both conscious and unconscious. In what manner do we form our conception of the totality, and is that manner different than the way Hegel formed his Absolute Spirit? If it is different, can the manner of conceptual genesis we employ save the totality from the allegations of emptiness and pure abstraction that have plagued Hegel's philosophy?

First, Hegel's deductions were of a purely formal, conceptual character. Abstracting from differences, he began with a purely abstract conception of Being. Deduced from this starting point, his further concepts could only ever remain abstract. In contrast, the totality begins with the objects in their multiplicity, and does not deduce things purely logically, subsuming them within further concepts that do violence to the multifarious differences within them. The totality is formed by a conglomeration of processes, a successive concretization not based on subsumption but on an interaction of “contradictory” tendencies, or tensions. For example, Marx's economic analysis progresses from simple reproduction to expanded reproduction, drawing on the mathematical relations of the former to better understand relations in the latter, though the former is not an existent condition (Marx 711-32). In other words, Marx's further concepts are not synthetic unities; rather, they retain the tension of the previous concepts, as the social and material tensions of commodity exchange are not resolvable by thought alone, but only in practice. Lukács saw this and laid the basis for a “scientific” view of the totality, which will be looked at in more detail in the next section. Remember that we do not need to be able to delineate how we are actually capable of discovering the truth of the totality for the concept to be useful, in the sense of providing for a concept of truth, at least hypothetically.

As further concepts are added, as the analysis becomes more and more concrete, the approximation of reality becomes more and more sophisticated. However, as we continue this task of expanding our theory to include more and more relations, a paradox makes itself clear to us: once we contain all relations in our explanation, once we have totalized our social concept, we lose all meaning according to the criticisms, and have gone from concreteness over into abstraction. It is apparent here that something has gone wrong. What in the quality of totalization makes a concept lose its meaning? In light of this, we must look more closely at the term “totalization”.

The quality of totalization, of a concept or thing being total, implies that there is nothing existing outside of it. For Hegel's system, this was manifest in the total self-identity of the Absolute Spirit—it had no Other because it contained its Other within itself. It was the final link in the long chain of Hegel's deductive system, and nothing could be outside it as it was defined. For the totality, this is also the case. The reason why totalization might cause abstractness is that it yields a concept that is non-contextualized—it has no context but is existent purely in itself. However, the totality can be understood as the idea of context itself. Pure context is necessarily decontextualized in the sense of being mediated by a further idea of context; it is already and always immediate in that sense. And indeed this is the problem to which Adorno draws attention: the totality is unmediated mediation. For other concepts, for non-totalized universals, this implies that they are ideological or reified, being torn from their specific, concrete context and hypostatized by the subject.

Whether this also holds for the totality is a different question, however, and is best answered by recourse to the previous argument: the totality is mediated not explicitly by conceptual opposition from outside it or by further abstractions, but by material existence, understood in two ways: first, as the particulars contained inside it conceptually; and second, as the particulars of “reality”, of subjective experience. This first way simply means what has been said before about the method of conceptual genesis leaving the particular tensions intact. The second way implies something “outside” the realm of theory, of the qualia of subjective experience. This has the important implication that something may be outside the totality as concept, against which the concept is tested. This is the concept-object relation it undergoes during critical thinking and experience—the totality must not be hypostatized. But how does the totality as a concept relate differently to its object than the particulars of experience relate to their own partitioning? I argue that this is due to the quality of totalization. However, to make sense of this claim, we will need to develop a new way of looking at the problem.

IV. A New Conceptual Scheme

Here I propose to make a further distinction between the objective totality, subjective totalities, and totality-concepts; until now we have been speaking only of the objective variety and the concept of that objective variety, and thereby running the risk of hypostasis, of the idealism that is equating subjective experience and objective reality. The subjective totalities are the various thought-concretes that arise from mental representation, the operation of which constitute particulars in a conceptual scheme and present those particulars to the subject of consciousness. In this way, subjective totalities are the total horizons of subjectivity, and hence total in a different sense than is the objective totality. The subjective totalities are altered by the action of the forces and tensions of the objective totality. It is apparent that the subjective totalities are contained within the objective totality, as is the third type of totality, the totality-concept. The totality-concept may be that of the objective or subjective totalities, and is simply the conscious mental representation of them.

These sundered totalities are of a different type than the Absolute Spirit, which was in some sense all three types of totality in one. This lack of differentiation—caused by Hegel's equating of thought and existence, and of consciousness and unconsciousness—led him to difficulties. As against his idealism, the opposition of the three must be held, with each subsumed in the more comprehensive and less-comprehensible level. The concept of truth thus becomes a kind of isomorphism between these three levels. Whether this is possible to achieve is a different issue, dealt with in the next section. For now, we will analyze how this scheme relates to the formerly-defined categories of abstract and concrete.

Prior to our three-level scheme of totality, we had a simpler two-level scheme, which denied the antagonism of conscious and unconscious mental operation, and was hence a kind of hidden idealism, a positing of the equality of thought-concrete and real-concrete. The abstractness or concreteness of our analysis was restricted to this bare equality, which impressed upon it the inability to avoid hypostasis. Our method of conceptual genesis was in that case stunted, and concretion threatened to be limited by the unaccounted-for horizons of the individual subjectivity as opposed to that of our concepts.

V. Problem (2): The Description of the Totality

Having established the coherence of the totality and presented a new conceptual scheme for dealing with the concept, we turn now to the problem of description, the material grounding of the totality in reality. A first step was made in the above description, by the very nature of the scheme as one containing multiple levels of interaction. We must, however, consider the usefulness of this description of the totality. Lukács clearly did not view the totality as a simple theoretical object, but rather something that could be studied, yielding economic and political insights.7

The problem for both Lukács and Hegel was the finding of the “subject-object” of history, the combined knower-and-known whole, the totality. For the latter, this was the Absolute Spirit; for the former, it was the proletariat. As both the subject of history (the active doer, the would-be totality of society after the communist revolution) and the object of history (the passive “done-to”, the would-be all of society, also the totality), the proletariat was thought to have the ability to overcome the problem of truth by creating its own social conditions, since the problem of truth was essentially the problem of the given, reified particular. Thus, the totality could only be fully known when the proletarian revolution had been successful—this is one version of the famous unity of theory and practice. It is stated by Rockmore as follows: “Lukács maintains that the proletariat makes history and therefore can know it. In this way Lukács supports his claim that Marxism surpasses the supposedly fictitious Hegelian idea of the absolute to grasp the real historical subject” (Rockmore).

This is Adorno's criticism: Lukács supposes that the totality can only be known after the proletarian revolution, which is supposing some description of the totality, something that it is not legitimate to suppose. This is because he assumes that the proletariat is the aforementioned subject-object of history, which is dependent on the character of the unknowable totality. In the words of Nicholas Joll: “Adorno believes that one cannot specify the correct epistemic relation between subjects (knowers) and objects. The reconciled condition will be so novel that any anticipation of it will be marked 'by the same distortion and indigence which it seeks to escape'. Adorno infers that 'the full object' is not to be 'positively pictured'” (Joll).

We shall see that this argument is very different from the one advanced as (1) in the previous sections. There, Adorno denied the totality due to its abstractness, where here it is denied due to the epistemic environment of current existence.8 Let us now examine this new criticism in more detail.

The idea that “Practice itself was an eminently theoretical concept” is one that sheds some light on the problem (Adorno, Negative Dialectics 144). Lukács could not seek recourse to practice because his concept of “practice” was just that—a concept. He could not say that the truth would be reached through a certain course of action because that course of action was itself articulated theoretically. The correct epistemic relation to the objects was not as easily knowable as that. But, we must ask, what is barring the understanding completely and totally from truth? Is it impossible, as Adorno alleged, to articulate a course of action that could lead to the resolution of the problem of knowledge?

VI. The New Scheme Applied: A Critical Re-interpretation of Lukács

The tripartite framework of interwoven totalities points the way to the resolution of the problem of truth. Having articulated a coherent theory of truth—the isomorphism or symbolic equation of the three totalities—we must ask how truth may be reached, and if we cannot come up with an answer, our theory will be quite useless, although still interesting. It is here that the method of conceptual genesis resurfaces; the formation of the totality-concept is related to the formation of the subjective totality, which is related to the objective totality. The formation of the concept is inseparable from both of our two previously-posed problems—form is inseparable, though distinct, from content.

The relation of the totalities is of the utmost importance. The totality-concept has epistemological access to the subjective totality, which then has access to the objective totality. This means that there are two interactions we can consider, without jumping the gap. In other words, previous attempts at truth were restricted by the fact that the totality-concept was related directly to the objective totality, when in reality it can only be legitimately related to the subjective totality. Thus, the task of discovering truth lies not in “directly perceiving” the objective totality, which is impossible, but in alteration of the nature of the subjective totality as the mediating concept between the two others. This takes us back to Lukács, except in a more sophisticated scheme—to find truth, we must establish a social order, a complex of social relations that relates the subjective and objective totalities more fully, which would then allow for the formation of a totality-concept that coincides with the objective totality isomorphically. There are thus two considerations we must make here: (a) the possibility of articulating the material and epistemic conditions for the double-isomorphism of subjective and objective totality, and (b) the conditions for the method of genesis of the totality-concept from those relations.

Lukács really sought for the triple-isomorphism without explicitly considering that there were indeed three parts. The subjective totality can be directly formulated as a concept through the theory and techniques of psychoanalysis and phenomenology. We can directly know the variations and qualities of subjectivity, simply by experience and by analysis. But how can we create the conditions of subjective socialization that correspond to reality, to the objective totality which we cannot experience? The answer lies in the deconstruction of ideology, of false concepts and of the tendency to hypostatize, the alteration of those subjective horizons. This is where Adorno once again re-enters the picture. The conditions of ideological deconstruction are those that relate the subject critically and negatively to the falsely-presented world in which she is situated. Through Adorno's negative theory, we come to understand that the world is not as our concepts would have it, and further that these concepts are mediated by our subjective totalities. His work implied that we cannot relate the objective totality to its concept, and this is true. However, a relation of our subjective totalities to our concept of the subjective totality is permissible, because we can know our subjective totalities. Knowing the relation of concept to subjective totality, we know several links of our tripartite chain. The material and epistemic conditions which yield a collective consciousness in what was previously restricted to the unconscious—in other words, what yields Lukács's subject-object—is what is to be striven for, because that is a direct creation of the conditions of existence and of subjectivity as opposed to the passive acceptance of the reified given.

Why does the conscious creation of subjectivity bridge the gap and penetrate the truth of the objective totality? The creation of subjectivity lies in the sphere of objectivity, or else all is solipsism. Thus, we come to know the objective totality through manipulation of the subjective. We cannot, in the last analysis, know the objective totality directly in the sense of conceptualizing it as it exists, but rather we act in and through it. The theory of acting in this manner is thus the theory of the objective totality. Hence we have a defense of Lukács's conception of praxis.

Something must here be clarified: how does our new understanding withstand the criticisms of the type espoused by Adorno? It withstands (1) because it's method of genesis is not one of synthesis; it withstands (2) because it works outside the realm of subjectivity, though it works on that very subjectivity. Our theory denies that we cannot know, because we can know through knowledge of and action upon our subjective totalities. The concept of practice is no longer simply theoretical or conceptual—it works not on concepts but on the psyche, and in terms dictated by that psyche; those terms may be concepts, but they are able to be directly related to their object, the subjective totality . Thus, it escapes the criticism by relating concretely to a directly knowable subjective reality.

VII. Conclusion

Without being allowed any access to the objective totality, analysis becomes an analysis of the given. An organic evolution of social relations cannot be adequately pictured, much less a truly revolutionary situation. Adorno's dialectics are, curiously, to borrow Walter Benjamin's phrase, “Dialectics at a standstill” (Benjamin, qtd. In Buck-Morss 127). The concept of the subjective totality re-introduces practice, and hence true temporality, into Marxian theories of truth. The epistemological conditions that allow us access to truth must be put forth as a kind of psychoanalytic Marxism.9 An area for further theorizing would be the way the relations of society socialize its members and constitute them as subjects.10 While these theories must continually be put to trial by the critical intellect, theoretically the concepts are coherent. The totality (now conceptualized as multiple totalities) is seen to be essential for the prescriptions of revolutionary Marxism. The specifities of the conjuncture in which conscious creation of subjectivity is possible must unfortunately be left to subsequent analysis. Perhaps Adorno's saying, “Wrong life cannot be lived rightly”, is true in some sense, but we must take care not to hypostatize this “wrong life” (Adorno, Minima Moralia 39). Wrong life can be made right, and not in the way Adorno refuted with the concept of theoretical practice.


Bibliography 

Adorno, Theodor W. Minima Moralia : Reflections From Damaged Life. Trans. E. F. N. Jephcott. London: Verso, 2005. Print.

Adorno, Theodor W. Negative Dialectics. Trans. E. B. Ashton. London: Continuum Press, 1973. Print.

Adorno, Theodor W. “Sociology and Empirical Research.” The Positivist Dispute in German Sociology. Trans. Glyn Adey and David Frisby. Farnham, Surrey, UK: Ashgate Publishing, 1981. Print.

Baumann, Charlotte. "Adorno, Hegel and the Concrete Universal." Philosophy & Social Criticism 37.1 (2011): 73-94. Print.

Buck-Morss, Susan. The Origin of Negative Dialectics : Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute. New York: Free Press, 1977. Print.

Dietzgen, Joseph. The Positive Outcome of Philosophy. Trans. Ernest Untermann. Chicago: Charles H. Kerr & Co., 1906.

Finlayson, Gordon. "Adorno: Modern Art, Metaphysics and Radical Evil." Modernism/modernity 10.1 (2003): 71-95. Print.

Joll, Nicholas. "Adorno's Negative Dialectic: Theme, Point, and Methodological Status." International Journal of Philosophical Studies 17.2 (2009): 233-53. Print.

Lukács, György. History and Class Consciousness: Studies in Marxist Dialectics. Trans. Rodney Livingstone. Cambridge, Mass.: MIT Press, 1971. Print.

Lukács, György. Lenin: A Study on the Unity of His Thought. Trans. Nicholas Jacobs. London: Verso, 2009. Print.

Marx, Karl. Capital : a Critique of Political Economy. Trans. Ben Fowkes. New York: Penguin Classics, 1990. Print.

Ollman, Bertell. Dance of the Dialectic : Steps in Marx’s Method. Urbana: University of Illinois Press, 2003. Print.

Rockmore, T. "Fichte, Lask, and Lukacs's Hegelian Marxism" Journal of the History of Philosophy 30.4 (1992): 557-77. Print.

Stace, W. T. The Philosophy of Hegel: a Systematic Exposition. New York: Dover Publications, 1955. Print.

Footnotes

1 See, for example, Bertell Ollman's defense of this view in Dance of the Dialectic, chapter 5: “Putting Dialectics to Work: The Process of Abstraction in Marx's Method”.

2 Bertell Ollman has dealt extensively with this aspect of the problem in his many works.

3 The explanation given in this paragraph is in some sense a summary of W. T. Stace's The Philosophy of Hegel.

4 See, for example, Stace.

5 Take, for example, the following statement by Lukács: “By contrast [to bourgeois abstractness], in the teeth of all these isolated and isolating facts and partial systems, dialectics insists on the concrete unity of the whole” (Lukács, History 6).

6 And again, on the totality's importance for Marxism: “It is not the primacy of economic motives in historical explanation that constitutes the decisive difference between Marxism and bourgeois thought, but the point of view of totality” (Lukács, History 27).

7 For example, Lukács writes that “Nor can a single isolated event, regardless of whether it is a victory or a defeat, possibly decide [the eventual outcome of proletarian revolutionary activity]” (Lukács, Lenin 38), with the implication that the totality is decisive as against the particulars.

8 It is characteristic of Adorno that even the “good” is not posited concretely, but rather we are left with the idea that current existence is undeniably bad, “radically evil” (Finlayson). Adorno confines his critique to how bad things are now.

9 See, perhaps, Slavoj Žižek and Alain Badiou.

10 For example in the work of Louis Althusser.

Friday, April 19, 2013

Two Levels of Social Stasis in Wang Anyi's "Brothers"


Two Levels of Social Stasis in Wang Anyi's “Brothers”
I. Introduction
In the short story “Brothers” by Wang Anyi, and again in “Woman” by Chen Ying, there is a marked contrast between static and dynamic characters (men being static in “Brothers” and dynamic in “Woman”; women being dynamic in “Brothers” and more static or staticized in “Woman”). These differences in character development can be read as products of reification, especially in the case of Old Two and her husband in “Brothers”. This reification must be understood as emanating (though not necessarily causally) from the economic “base”, but through an imperializing effect has taken up residence within the so-called superstructure relating to the base, and from there spreads dialectically and nearly imperceptibly to other spheres. The interrelations of the multiple levels of reification cause a number of problems of interpretation, which trace back to the necessity of clearly delineating those levels.
II. Static and Dynamic Characters
In “Brothers”, the three brothers are dynamic characters. Their deep-seated dissatisfaction with being placed into roles and pressed into certain forms of interaction attests to this amply enough. For example, on occasions they were “...increasingly unable to recognize their true selves. They would resume a long period of normal and mundane life. During such days, they would regularly eat, sleep, go to classes, hand in homework, and write love letters to their 'wives' at home” (95). In other words, the loss of self was accompanied by being pressed into specific social roles. The message is thus that the “true self” is dynamic, while the bourgeois-social self is both untrue and static. However, if this were the only point about their dynamism, what a static dynamism it would be! Instead, as the story progresses, a number of characteristics further clarifying the brothers' dynamism emerge. First, the change of Old Three's attitude towards feminism and towards her social role as wife emphasizes the power of the static and of hypostasis, and its prominent role in society as it exists. Another example of the same trend can be found in the ending of the story, when all contact between the brothers is broken off, each supposedly resigning to their allotted social roles. Second, the dynamism of the brothers is expressed not as a focused emotional response but as a diffuse and all-encompassing qualitative state of consciousness, as shown by Old Two's existential crisis before re-connecting with Old One. This means that, true to Bergson's essay Time and Free Will, the dynamism is experienced by static society as a Deleuzian heterogeneous multiplicity, not a collection of “ones”, but an anti-reductionist collection of “manys”. This is a true virtual dynamism, and not simply one of the type that is often expressed in stories through character development over time. This point will be especially important when we move on to study the unique effects of reification, the generalized descendent of the Marxian theory of commodity fetishism.
As truly as the brothers are dynamic, the men in the story are static. This is primarily evidenced by the part of the story that is told almost from Old Two's husband's point of view. For example, it is said that “[i]t was fine if she wanted to skip breakfast and ruin her daily routine, but he would see to it that the world around her remained as impeccably regulated as it was before”, and that “[h]is aims in life were simple and clear unlike hers, which were confused and chaotic” (108). In other words, the husband represents the pure, supposed necessity of the regularity and normalcy of bourgeois life—anything else, any questioning of this necessity ought to make one “ashamed of her absurd behavior” (108). While this theme of bourgeois normalization is a primary one in the text, the analysis will continue with the prerequisites and underlying overdetermined elements which give rise to this surface phenomenon.
In contrast to these gendered roles in “Brothers”, the characters in Chen Ying's “Woman” have altogether different compositions. The man wavers between support and opposition to his wife's desire for an abortion, invoking such widely differing reasoning as letting the pregnancy run its 'natural course' and wanting to preserve his wife's personal and intellectual freedom—in other words, he is profoundly confused about what he wants for his wife. In terms of the static-dynamic divide, he appears to be on the dynamic side, but this is only a surface-level effect. His dynamism is simply a cover for his static core. This becomes clearer when we refer back to the Bergsonian viewpoint expressed above: his dynamism is expressed quantitatively, as wavering between two given positions, and not as a truly qualitative act of experiential consciousness, wherein positions themselves evolve along with the self. Thus, both of the stories under analysis involve static males. The case of the wife in “Woman” is not very important for the present work, the women in “Brother”s providing ample examples, but suffice it to say that she appears to experience what we have identified as true dynamism of the Bergsonian variety.
III. Reification
So far we have been analyzing a superstructural phenomenon, not only on the level of “appearance” but primarily on the level of ideology. It is now important to connect dialectically the two levels which, through various modes of interaction, produce true understanding of the reality of the situation. In capitalist society, as Marxism notes, there is a contradiction between private ownership and social production. Productive activity becomes social only in the exchange of commodities. In other words, the regulative aspects of the economy are more or less monopolized by markets—what gets produced, how much, and for whom are all questions decided by markets, through the activity of markets1. This activity, the act of exchange, is therefore the social-synthesizing mechanism of the entire commodity economy, and thus also more or less of people's lives as they are lived.2 The abstraction of the exchange relation occurs seemingly without the need for ideology (in the sense of Althusser) to play even a minor role in analysis. However, this view is one sided for a number of reasons: it ignores the effect of superstructural dominance during periods of revolutionary upheaval as theorized by Mao Zedong in his essay On Contradiction; it ignores the more general case of dialectical interaction between superstructure and base and instead falls back on mechanical materialism; it reduces the problem of change on the individual level to that of the total combined level of society and therefore becomes an argument for the impossibility of change altogether; finally and most importantly, it ignores the link between real abstraction and ideological abstraction. It is this last point that will be the focus of the remainder of this essay.
What is the real social phenomenon that (avoiding giving ontological precedence to this or that sphere for the time being) changes with the ideological phenomenon of reified thinking? At first pass the answer seems obvious: the perceived stasis of Old Two's husband is supported and corroborated by his own ideological explanation of the same phenomenon, when the narration appears to be from his point of view (108). The ideology of stasis is in fact the reality of stasis, though with some room for movement existing between the two concepts. The jump from Old Two's to her husband's ideological makeup is the very definition of the social, at least on a microcosmic level. The connections and interpenetrations of these two spheres cohere into a larger sphere that then reacts back upon them as individuals, becoming semi-autonomous. So we have here two dialectical relations: social and ideological abstraction, which are shown to be equal for purposes of the story (the husband stands in for the real/social); individual and social ideological abstraction. These three terms and two relationships, taken to be in the shape of a semisolid chain, each link most strongly related to the one nearest it but weakly related to the other, are the basic building blocks of a theory of ideology not unrelated to the material basis of society, also avoiding mechanical materialism.
The conclusion of the story, however, leaves the resolution of the contradictions between the three chain-links open. Through the negation of the possibility of renewal, as in the phrase “There are some things that are extremely beautiful but very fragile. Once broken they cannot be repaired”, the thing-ness of people becomes even more explicit (141). It is too late; Old Two has already solidified once again, contrary to what we can assume are her true desires. The figure of the husband, the embodiment of reified social relations for Old Two, is here also a sexually dominant opposition figure to the love between the two women—these two roles are not so disparate as might appear. In any case, though, the society that Old Two experienced in her husband is now experienced by Old One in Old Two. The expanded, resilient nature of the social abstraction comes in this case even closer to the commodity-basis upon which it draws.
V. Conclusion
The relation between base and superstructure is a prominent theme in the short story Brothers by Wang Anyi, albeit only obliquely. Through the use of static and dynamic characters and focus on the conflicts between them on that account, the process of reification is brought to the surface of the work as a force contrary to the dynamism of true conscious experience and therefore of true love and desire. The socially-synthetic role of commodity fetishism is apparent, and in the development of the characters' consciousnesses it presses its seemingly indelible mark. The struggle for self-discovery and individual liberation undertaken by the brothers contains in its very methodology—that of the individual, of the bourgeois, of their embedding in social reality—the assurance of defeat. The superstructure may be semi-autonomous, but it is no more than semi-. While there is not enough space here to go into more detail, the importance of differences in level of analysis and of solutions, and of their interrelations, is seen to be extremely important, for there will never be a mechanical solution to ideological problems no matter how hard it is sought.

1See I.I. Rubin's excellent work Essays on Marx's Theory of Value
2See Alfred Sohn-Rethel's book Intellectual and Manual Labour